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​Koichi Nashiyma

​Photography

Tokyo based Koichi Nishiyama was born in 1968 in Yokohama, Japan. He studied contemporary art at B Seminar School in Yokohama. After graduation, he undertook performance art, Installation art, and organized exhibitions. He took up photography in 2007 by studying “Workshop Calotype” by Jun Shiraoka in Tokyo. I started to take pictures at a certain moment because I had a camera. But I had little awareness of what is an “art work”. Even so, I kept doing it. I had a feeling that if I collect photographs and give them a title it will become an “art work” and if I show it to someone, something important may come out. While continuing my shooting experience I started designing spaces, then by gathering people I created opportunities for exhibitions. As a result of my exploration of the context of space, my expression has taken different forms. Perhaps I am shifting the boundaries between "personal experience," "work," "artist," and "photographer" to question each notion. Since my childhood I did not know what to do with the feeling of ambiguity about the outside world. The camera helped me to express myself in a desperate attempt to close the gap between the external reality and the self, to think once again about the “exhibition” that is held in a limited time in a limited space and my own rampantly multiplying thoughts and the system of reality. Photos that look exactly like reality, and yet are always different from it, amaze me. I keep making something new out of that similarity because it seems to reconcile my feeling of strangeness with the world.

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CV

 "I took a photograph of buildings in a residential area on the outskirts of Tokyo where I live. Buildings are something familiar and reticent. That was the perfect subject to reconsider the experience of. I’ve been trying to find some sort of relevance from the collection of plane images but then I realized that I have to reconstruct the method, using photographic images, to approach “seeing by light” . To deviate from the photo frame became the turning point in my work. After a continuous trial and error, I then gain a sequence to space approaching buildings, the subject of this work."

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